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Swanley Young People’s Film and Heritage Project will make a documentary, musical film and photography exhibition with the cash
3:20pm Sunday 28th August 2011
a GROUP of young budding Steven Spielberg’s are celebrating after receiving a £25,000 grant from the Heritage Lottery Fund.
the cash was awarded to Swanley Young People’s Film and Heritage Project for a documentary, musical film and photography exhibition about the area.
Teens, aged 12 to 17, will be talking to families about their hidden histories, researching the area, as well as running performance workshops on dance, song and drama to prepare for the film.
Abbey Land, 15, who is one of seven young people leading the project, said: “It’s important so other people can look differently at our area. a lot of people look at the area and think there’s naughty kids but it’s not like that.”
Overall around 60 young people have been working with community development charity, West Kent Extra, and Real Strategies Community Interest Company for around three years, to explore how Swanley evolved from a horticultural and transport hub to a busy town.
the project will be shared with schools and libraries and exhibited at Lullingstone Castle in February next year.
Managing director of West Kent Extra, Will Campbell-Wroe, said: “It’s hard to raise funds, especially in the current economic climate, so for this group to have raised such a significant amount is pretty inspiring.
“We’re delighted they can continue this project and finally get to make the film.
“It will bring the whole community together and celebrate the rich history and culture of the town.”
the project is supported by film-makers Fugitive Images, Swanley Town Council, Kent Arts and Libraries and Kent County Council Minority Communities Achievement Service.
Family history workshops are due to take place in September and the group is now looking for Swanley residents who have stories to tell.
To get involved, visit westkent.org or call 01732 749420.
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I have found what my interest are and that is film and photography. Now that I know what I want to do, where do I start my career? I'm a freshman at college but what can I do to develop my skills in this area of expertise? is there a special school to learn this stuff?
I suggest you start by finding an art school in your area. Also, get a job at a film developing shop; you get experience and discounts on equipment!
Im a senior in high school and debating about possibly entering the film industry 
i think the key is location. the better location the more opportunitise there are to make your career a success. furthermore if you are able to make connections in college through itnernships, you will create necessary connections to make your career successful. i would suggest new york, chicago, la, sante fe, miami florida
good luck!
PRACTICE is very important. You want to take lots of photos so that when you apply to a specialized course or school, you will get in. with photography what matters most is the quality of your skill, not what school you went to, however going to school will teach you the basics you need to know about photography. It depends what type of photography and film you want to do as well. There are courses for commercial photography, and art photography. It will take a few years of work, volunteering your time to shoot models or subjects, before you get a paid positition. You have to be very passionate and competitive in this area to make it a fulltime job.
Full service photography cine school is a good start. They will cram a lot of beginning stuff down you so that you won't be saying. Duh, I didn't know that when the director ask you to get him a SCRIM.
The Superman movie Warners is contractually obligated to make by 2012 is still a ways off, but now that Christopher Nolan is involved, there’s even more attention being paid to it.
That attention turned this week to the possible directors in line to take on the famous superhero – Tony Scott, Matt Reeves, Zack Snyder, Duncan Jones and Jonathan Liesbesman. Some are denying they know anything about it, some are saying they’ve already turned it down, and none of them are dressing up as Superman and running around their offices pretending to fly.
That’s all well and good, but there are some pros and some cons to these names.
The Pros: Scott is first and foremost known for creating films with strong male leads (meaning we might finally get a Denzel Washington Superman), and his recent work has all been focused on ramping up tension in a standard action film way. He’s also got a strong sense of how to create a scene where things blow up and Denzel Washington wrinkles his brow to signify that he’s figured something out.
The Cons: Scott’s editing has always been rapid fire, and it’s getting more so with every new film he creates. plus, the character of Superman is just not as grizzly as almost all of Scott’s other characters. The world of Metropolis is a vision of the future as provided by the 1950s, not a graffiti-riddled concrete jungle with people yelling at each other. Tonally, he might not be a good fit.
The Pros: Reeves has proven some versatility in taking on the found footage monster film and the coming of age character drama monster film, and his own cinematic knowledge creates a solid ground for adapting a character like this. He’s meticulous in crafting characters, and delivering the world as a character itself. Those will translate well for taking on a project that has the ability to skew into a cartoon if not handled carefully.
The Cons: Reeves is fairly young as a director, and he’s only worked in the horror/dark drama world so far. that doesn’t mean he couldn’t do it, but there’s nothing in his current films that shows an ability to live in the world of Supes and Lois Lane. It’s not so much a con as it is a variable.
The Pros: Snyder is a seasoned director at this point who has worked in the superhero genre before. although it would be ironic to see him take on the classic icon of comic books after taking on the book that was supposed to kill the medium, Snyder has the talent to funnel the immense amount of elements and focus them into an engaging experience. plus, Superman would fly in slow motion before rocketing out into the sky.
The Cons: Snyder mostly works with anti-heroes, and while they may seem like a small detail, the character of Superman is a symbol of virtue more than he is a man. Or, you know, an alien. Snyder more than has the talent to make this movie, but he hasn’t shown an interest so far in the type of story being told by the Man of Steel. plus, Superman would fly in slow motion before rocketing out into the sky.
The Pros: Jones delivered one of the best science fiction films in recent memory with Moon, and created a character defined by isolation in the process. He’s also a talented writer who has proven he has a fresh take on old tricks. If there’s anything that this project needs, it’s innovation. Watching the origin story again followed by a fight with a bald business owner is not what the world needs.
The Cons: Inexperience is a factor, but it seems like a small one considering just how well-made Moon is. still, plenty of directors have had great first films and failed to produce beyond that point (which reminds me to re-watch Donnie Darko), and Superman will be a much, much larger project than Jones has taken on before.
The Pros: This choice would create a fresh start for the possible franchise. in a way, Liebesman comes with the least baggage because he’s the least well known. that may change after Battle: Los Angeles, and that film will be a proving ground in more ways than one for Liebesman to get a shot at helming this project.
The Cons: Although his last name subconsciously sounds like “The best Man,” his inclusion in the list is also the most confused. He’s most well known for mediocre horror films. that could clearly change with a successful alien invasion of Battle, but for the most part, he’s the farthest in left field right now.
So what do all of these directors have in common? They are all far grittier than any natural choice for Superman might be. It’s not outside the realm of logic to imagine that Christopher Nolan and company are going to go darker than the character has gone before. The action styles range, but Scott, Snyder, Jones, Reeves, and Liebesman have all worked in some terrifying arenas (including outright horror).
The Superman film we have to look forward to is going to have some edge to it. There’s no doubt about it. thus, earlier speculation about the tone has all but been confirmed in my mind. why else would they go after this brand of director unless Superman was going to add a dash of The Dark Knight to the mix?
Unless this whole list is a ruse, and they end up hiring the Double Rainbow guy.